Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made against each other in the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who can they think should pay for your unrest? Katniss. And what's worse, President Snow has managed to get clear that no-one else remains safe and secure either. Not Katniss's family, not her friends, not individuals of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to become one from the most brought up books from the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said from your start that The Hunger Games story was intended being a trilogy. Did it really end just how you planned it from the beginning?

A: Very much so. While Some know every detail, of course, the arc of the story from gladiator game, to revolution, to war, on the eventual outcome remained constant through the writing process.

Q: We understand you worked around the initial screenplay for a film being based on The Hunger Games. What will be the biggest distinction between writing a novel and writing a screenplay?

A: There were several significant differences. Time, for starters. When you're adapting a novel right into a two-hour movie you can't take everything with you. The story has to get condensed to fit the new form. Then there is the question of methods best to consider the sunday paper told within the first person and provides tense and transform it in to a satisfying dramatic experience. In the novel, you don't ever leave Katniss for any second and are privy to any any of her thoughts so you will need a method to dramatize her inner world and to make it easy for other characters to exist outside of her company. Finally, there is the challenge of how to present the violence while still maintaining a PG-13 rating so that your core audience can view it. A lots of things are acceptable on the page that may not be on a screen. But exactly how certain moments are depicted could eventually be inside director's hands.

Q: Are you currently able to consider future projects while working on The Hunger Games, or are you immersed in the world you happen to be currently creating so fully that it is simply too challenging to think about new ideas?

A: We've a few seeds of ideas floating around during my head but--given very much of my focus is still on The Hunger Games--it is going to be awhile before one fully emerges and I can commence to develop it.

Q: The Hunger Games is once a year televised event where one boy and one girl from each with the twelve districts is instructed to participate in a very fight-to-the-death on live TV. What can you think the selling point of reality television is--to both kids and adults?

A: Well, they're often set up as games and, like sporting events, there's an interest in seeing who wins. The contestants are usually unknown, which ensures they are relatable. Sometimes they have very talented people performing. Then there is the voyeuristic thrill—watching people being humiliated, or brought to tears, or suffering physically--which I find very disturbing. There's also the opportunity for desensitizing the audience, to ensure that once they see real tragedy playing out on, say, the news, this doesn't happen contain the impact it should.

Q: In case you were expected to compete in the Hunger Games, so what can you think your personal skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I was trained in sword-fighting, I guess my best hope will be to obtain hold of the rapier if there is one available. But reality is I'd probably get of a four in Training.

Q: What does one hope readers will come away with once they read The Hunger Games trilogy?

A: Questions about how precisely elements of the books might be relevant within their own lives. And, if they're disturbing, whatever they might do about them.

Q: What were some of your respective favorite novels when you were a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord in the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in a single more Hunger Game, but this time it's for world control. While it is really a clever twist around the original plot, it indicates that there is less focus on the individual characters and more on political intrigue and large scale destruction. That said, Carolyn McCormick continues to breathe life in to a less vibrant Katniss by showing her despair both at those she feels in charge of killing and and also at her motives and choices. This is an older, wiser, sadder, and intensely reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn in the rebels as well as the victim of President Snow, who uses Peeta to make an endeavor to control Katniss. Peeta's struggles are well evidenced as part of his voice, which goes from rage to puzzlement for an unsure resume sweetness. McCormick also helps to create the secondary characters—some malevolent, others benevolent, and many confused—very real with distinct voices and agendas/concerns. She acts like an outside chronicler in giving listeners just “the facts” but in addition respects the individuality and unique challenges of each of the main characters. A successful completion of a monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.